Who doesn’t love movies? We do! We are very excited about the upcoming upcoming movies coming out this season, because frankly we don’t have much time any other time of the year to sit in a dark theater. We are especially excited to see Fantastic Mr. Fox, and Where the Wild Things Are (We still haven’t had time to see that one yet!).
Inspired, we got talking about how important movie sets, and art direction is to a great movie. We discussed many our favorites like Blade Runner, The Shining, The Age of Innocence, Pillow Talk, Giant, Sense and Sensibility… oh brother… the list of movies got too large. We both agreed that we would just talk about one movie at this time, and hope to write about more of our favorites in future blogs.
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The movie, North by Northwest, stars Cary Grant and Eva Saint Marie.
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We decided to start with one of our all time favorite directors, Alfred Hitchcock. If you haven’t seen Rebecca, To Catch A Thief, Strangers On A Train, Dial M for Murder, Rope, and The Man Who Knew Too Much, go out now and rent them! We are sure most of you have seen at least a few of these Hitchcock films, and hope you enjoy them half as much as we do! There were too many great movies to choose from, with the art direction usually fantastic in most.
But, which one to pick? His movies during the 1950’s were sure genius and fun too. Vertigo is up there as one of his best, and the dream sequence alone is worth watching, but North by Northwest, which came out in 1959, reaches a new height of filmmaking, and is just plain entertaining.
This is simply one of the best American road movies ever. The movie never lets you stay in one place. The movie takes you from Madison Avenue, to the Plaza, Grand Central Station, and Long Island, and then to the UN building in New York. Before you catch your breath, it takes you on the Twentieth Century Limited to Chicago and the beautiful Ambassador East Hotel, and then it’s off again to a midwest corn field seemingly in the middle of nowhere. Who would guess that by the end of the movie, we would end up in a modernist house on the edge of Mount Rushmore.
In this movie, Englishman, Alfred Hitchcock loves the American landscape, and uses the character of Roger O. Thornhill (Cary Grant) to discover the big country, and be surprised by American’s expansiveness.

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Not a bad place to be help captive Kidnapped and taken to a mansion (Old Westbury Gardens) on Long Island.
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Luxury and lush sets are also a running theme throughout, and important to the art direction of the movie. You can see this in the brand new 1958 Lincoln Continental III convertible, Eva Saint Marie’s Bergdorf Goodman’s clothing, and choice of big, beautiful locations. No luxurious detail was spared. But it all climaxed with scenes of the ultimate house on a rocky cliff in South Dakota.
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What a great location! Too bad this house never really was at this site. ……………………………………………………………………………..
Actually, the (Vandamm) house at Mount Rushmore didn’t really exist. It was built on a back lot in Culver City, California. The home was inspired by Frank Lloyd Wright, then the most famous architect in the United States, if not the world. Mr. Wright was actually approached to design the home, but his fees were too expensive, so the MGM set designers were up to the challenge.
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Although the set of the Vandamm home was modern, notice the Asian art and the natural wood and stone materials. This home still feels comfortable and modern today.
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An uncredited person who worked on the movie, and deserves a mention was Mentor Huebner. Mr. Huebner worked on a variety of movies throughout his long career (including Blade Runner) as an production illustrator and storyboard artist. He provided concept art after meeting with the director and others to set up a concept of how the movie will be filmed. While the finished storyboards do not look like the final movie, Mr. Huebner had a lot to bring to this movie to life
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This is just one of the storyboards from Mentor Huebner who got the script to do with what he wanted. It does not match the finished movie, but has the same spirit and excitement.
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This is a still from the movie compared to the storyboard above.
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We should also mention that the opening title sequence was directed by Saul Bass, a personal hero of Chris’, was one the premier graphic designers of the 20th century (he also designed posters for The Shining).

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Saul Bass’ poster design for the movie.
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In our opinion, North by Northwest is one of the greatest visual masterpieces of the mid 20th century, and we hope, that like us, you enjoy the fun. But, maybe watch it again to look at the the sets, and design of this American classic. Maybe you will just watch it as many times as we have.
Until next week
—Greg and Christopher
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Design Brothers This Week We are both are on the road… heading off to Florida, but will not run into each other.
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